What Fossilized Poop Can Tell Us About Dinosaurs

Herbivorous, house-sized dinosaurs like Apatosaurus and Brachiosaurus, not to mention carnivorous behemoths like Giganotosaurus, had to eat hundreds of pounds of plants or flesh every day to maintain their weight — so as you can imagine, there was a lot of dinosaur poop littering the ground during the Mesozoic Era. However, unless a giant blob of Diplodocus doo happened to fall on the head of a nearby critter, he was unlikely to complain, since dinosaur feces were an abundant source of nutrition for smaller animals (including birds, lizards and mammals), and, of course, a ubiquitous assortment of bacteria. Dinosaur droppings were also crucial for ancient plant life. Just as modern-day farmers scatter manure around their crops (which replenishes the nitrogen compounds that make the  soil fertile), the millions of tons of dinosaur dung produced every single day during the Triassic, Jurassic, and Cretaceous periods helped keep the worlds forests lush and green. This, in turn, produced a near-endless source of vegetation for  herbivorous dinosaurs to feast on, and then turn into poop, which also enabled carnivorous dinosaurs to eat the herbivorous dinosaurs and turn them into poop, and so on and on in an endless symbiotic cycle of, well, you know. Coprolites and Paleontology As important as they were for the primitive ecosystem, dinosaur droppings have proved equally crucial for modern-day paleontologists. Occasionally, researchers stumble across huge, well-preserved piles of fossilized dinosaur dung—or â€Å"coprolites,† as they’re called  in polite society. By examining these fossils in detail, researchers can figure out if they were created by plant-eating, meat-eating, or omnivorous dinosaurs—and they can sometimes even identify the type of animal or plant that the dinosaur ate a few hours (or a few days) before going Number 2. (Unfortunately, unless a specific dinosaur is discovered in the immediate vicinity, its nearly impossible to attribute a particular piece of poop to a particular dinosaur species.) Every now and then, coprolites can even help to settle evolutionary disputes. For example, a batch of fossilized dung excavated recently in India proves that the dinosaurs responsible fed on types of grass that weren’t believed to have evolved until millions of years later. By pushing back the flourishing of these grasses to 65 million years ago from 55 million years ago (give or take a few million years), these coprolites may help explain the evolution of the megafauna mammals known as gondwanatheres, which had teeth adapted for grazing, during the ensuing Cenozoic Era. One of the most famous coprolites was discovered in Saskatchewan, Canada, in 1998. This gigantic poop fossil (which looks pretty much the way you’d expect) measures 17 inches long and six inches thick, and was probably part of an even larger chunk of dinosaur dung. Because this coprolite is so enormous — and contains fragments of bone and blood vessels—paleontologists believe it may have derived from a Tyrannosaurus Rex that roamed North America about 60 million years ago. (This type of forensics is nothing new; as far back as the early 19th century, the English fossil-hunter Mary Anning discovered bezoar stones, containing fish scales, nestled in the fossilized skeletons of various marine reptiles.) The Coprolites of the Cenozoic Era Animals have been eating and pooping for 500 million years--so what makes the Mesozoic Era so special? Well, aside from the fact that most people find dinosaur dung fascinating, absolutely nothing--and coprolites dating from before the Triassic period and after the Cretaceous period can be equally diagnostic of the creatures responsible. For example, the megafauna mammals of the Cenozoic Era left an exquisite assortment of fossilized poops, of all shapes and sizes, which has helped paleontologists tease out details about the food chain; archaeologists can even infer facts about the lifestyles of early Homo sapiens by examining the minerals and microorganisms preserved in their feces. No discussion about fossilized poop would be complete without a mention of Englands once-burgeoning coprolite industry: during the mid-18th century (a few decades after Mary Annings time had come and gone), a curious parson at Cambridge University discovered that certain coprolites, when treated with sulfuric acid, yielded valuable phosphates then  in demand by the growing chemical industry. For decades, the east coast of England was a hotbed of coprolite mining and refining, to the extent that even today, in the town of Ipswich, you can take a leisurely stroll down Coprolite Street.

Analysis Of David Mamet s Glengerry Glen Ross

The business world is known for being stressful and the epitome of masculine characteristics and behavior. In David Mamet’s play Glengerry Glen Ross, relative absence of feminine characters highlights the idea that women are unwelcome in the workplace because they are seen as inferior. Therefore, men in the company fight to prove themselves because effeminate men are immensely looked down upon. The four salesmen in the play regard the business world as a â€Å"man’s place† and, therefore, believe they must prove their masculinity by winning the company’s competition. The company’s bosses, Mitch and Murray, decide this month that the salesman who sells the most will win a Cadillac, the second best salesman will win a pair of steak knives, and the bottom two men will be fired. In an attempt to win this competition, the men resort to manipulation and deceit due to the stress and high pressure placed on them. From this we see that these men, Aaranow, Mo ss, Roma, and Levene, are willing to gain success at the expense of someone else. Mamet’s lack of feminine characters and his use of dramatic, exaggerated language are used as tools to support the idea that these men believe the word â€Å"man† signifies more than just gender. Rather to them, this three letter word means having control over one’s own fate and fortune. They, therefore, believe to have a successful life, one must work hard even if it is unscrupulous and in this case illegal. As a reader, we do not see any onstage femaleShow MoreRelatedAnalysis Of David Mamet s Glengerry Glen Ross 1342 Words   |  6 Pagestoday with people believing men should work and women should stay at home. Although many women are breaking this barrier in their given profession, a countless number of women still do not receive the respect and honor they deserve. In David Mamet’s play Glengerry Glen Ross, the four salesmen regard the business world as a â€Å"manâ₠¬â„¢s place† and, therefore, believe they must prove their masculinity by winning the company’s competition. The company’s bosses, Mitch and Murray, decide this month that the salesman

Rhetorical Theory free essay sample

Hip-hop and rap as a whole tend to be lumped together as bad for society, or the dragging down of American culture. The debate on the Influence of music effecting the actions of Americas youth has remained salient for decades. The upcoming genre of Rap or Hip-Hop in recent years has sparked controversy because of the references to violence and sex portrayed in many song lyrics. Not only has the Issues of drugs and crime been associated with hip hop, but the diminishing perception of omen in our society has also been attributed to hip hop. It seems that rap is an easy scapegoat for the American population to point the finger at. Why is Hip-Hop important? No music is more important than the next. As soon as a genre starts portraying Itself as something other than the simple concept of musical notes vibrating off the eardrums of listeners, it loses its focus and main purpose to entertain. Political messages and social responsibility measures have always been visible in musical lyrics, examples such as R.E. M. And 1. 12 as well as countless other ands have done It for years. Hip-Hop has become big business and anything that Is marketable affects society one way or another. Hip-Hop also affects society on many different levels and it is inclusive of all people. The media attention that Hip-Hop gets gives meaning to the fact that people are able to see a side of a particular Hip-Hop artist and then the artist Is then displayed as a more human element. Younger generations must understand the biases and politics Involved with the generalizations of Hip-Hop.The music we listen to and the videos we watch are Just like reading a fashion magazine. A perfect example is if we see beautiful women in certain clothes then we may want those clothes. When someone sees a Hip-Hop artist or rapper on televisions that Is clearly successful. Actions may be taken to duplicate behavior portrayed by that artist, in turn hoping to emulate success similar to that artist. Why is the Mine song featuring Iranian important? Mine is one of a kind! He is the only white rapper to emerge and remain successful while opening the ears of a deferent audience-?young Caucasian males.Barriers are broken down when people from different backgrounds can share common interest at shows and n the internet and Mine has done an exceptional Job at doing so. Mine was ranked 79th on the VHF 100 Greatest Artists of All-Time. He was also ranked 82nd on Rolling Stone magazines list of the 100 Greatest Artists of All Time. He was named the Best Rapper Alive by Vibe magazine in 2008. Mine has achieved nine No. 1 albums on the Billboard Top 200. Mine also has had 13 number one singles 1 org Billboard magazine. Are these credentials not enough for you?Lets take a look at Iranian she has achieved eight number-one singles on the Billboard Hot 100 since first appearing on the chart on June 1 1, 2005. As of July 23, 2010, Iranian has sold approximately 5,563,000 album units in the US alone. She has received several accolades, including the 2007 World Music Awards for Worlds Best-selling Pop Female Artist and Female Entertainer of the Year, as well as the 2008 American Music Awards for Favorite Soul/RB Female Artist and Favorite Pop/Rock Female Artist. She serves as one of Barbados honorary cultural ambassadors.In January 2010, Iranian received two Grammar Awards for Jay-Gs 2009 single Run This Town. These two celebrities are huge public figures! As for Iranian, she appeals to a different anemographic, the young African American female. With the combination of these two audiences, they amass to a huge portion of the American youth. Influencing the youth of American is monumental to the outcome of the Country as a whole. The youth of America is the backbone of our Nation. In theory, the influence we have on our youth can be set as a precursor for generations to come. The decisions made by the youth in any country will ultimately unravel actions and future ideas yet to come. For my analysis, I will examine possible subliminal messages and interpretations of Mine ND Airmans song, Love the Way You Lie, specifically directed to the youth of America. I will show how this song is not solely comprised of vocals, lyrics and a music video, but a rhetorical action. The rhetoric involved perpetuates the desired symbolism and themes to reconstruct public opinion influencing the youth of America.By analyzing the lyrics and music video, I will reveal the connection between the subliminal messages and possible interpretations present in the artifact and their influence on the youth of America. Description of the Artifact The artifact I have chosen to depict is Mine and Airmans Love the Way You Lie. This is a very popular song racking up 338,000 downloads online in its first week. The music video of the song became an online phenomenon, gaining 6. 6 million hits in its first 24 hours on VIVO, and 18 million views in five days.It broke a Youth record for having the most views in 24 hours. By November 2010, the video had received over 200 million views. Mine and Airmans song Love the Way You Lie depict the relationship of a troubled young couple. This video produced by Joseph Kahn portrays the ups and downs that some couples must endure to make their relationship work. Dominic Monogram and Megan Fox portray the relationship of a young couple in the songs music video. The music video starts with the young couple sleeping together in bed.From that point on, Megan Fox notices a phone number on her significant others hand. The idea that she is being taken advantage of enters her mind. That notion sparks controversy and the couple begins to fight. The scene becomes heated and even reaches the point where the couple physical assault and spit in the faces of one another. Both parties in the couple become easily agitated with one another as they continue to assault and randomly hook up and aka out. Both the Dominic Monogram and Megan Fox are seen alone pondering as if they are deciding what to do or what will become of their relationship. Megan Fox expresses her emotions by crying to herself, on the other hand Dominic Monogram is seen drinking in the bar to vent the way he feels in regards to his current situation. Dominic Monogram is seen giving Megan Fox a stuffed animal that represents his love for her and shows that he continues to care about her. Dominic Monogram blatantly steals a bottle of vodka from a liquor store. They are seen getting along on top of a building as they consume vodka together. Alcohol is helping the couple temporary fix their irritations of each other, yet they have much bigger problems.Dominic Monogram is seen taking his aggression out in the bar as he physically attacks other bystander attempting to communicate with Megan Fox. The couple is then seen gazing into each others eyes, smiling but unsure of what to do. Megan Fox is then seen walking out of the house resembling her leaving Dominic Monogram. As the video continues Dominic Monogram is seen physically assaulting Megan Fox yet again. The house is set in flames in the backdrop; this resembles the previous chaos ND end of their relationship.Fire burns everything, bringing nothing but physical ruin. On the other hand, with the end of one good thing starts the beginning of another. In theory the fire could possibly represent a complex symbol for warmth and comfort. In fact it could resemble new life. The stuffed animal that Dominic Monogram gave Megan Fox is even seen set aflame as the couple goes their separate ways. The video ends with the couple lying in bed in the same exact spot where the video started, as if the whole thing were a dream.The context of the artifact is located within social arrangements. This popular song and music video is a form of entertainment. The song is used to target a specific social niche in order to generate revenue and become a success within its boundaries. If this song did not appeal to any social networks then it would not serve its purpose of selling CDC to generate revenue and publicize the artists. The fact that two celebrities (Mine Iranian) have collaborated together helps them reach out to publicize themselves as well as combine their social networks together. The artifact is not used within political means or economic arrangements. This is a great artifact to analyze because symbolic convergence is blatantly evident and people can easily share similar fantasy themes that create rhetorical visions. Love The Way You Lie constitutes evidence of symbolic convergence theory because it incorporates themes the rhetoric knows will resonate with the audience. Another reason why this is a great artifact to evaluate is because of the popularity and controversy of this song.Millions of people hear this song each and every day and have not even thought about evaluating it in terms of rhetorical theories and criticisms. Theoretical and Methodological Framework Fantasy theme analysis is based upon the theory of symbolic convergence, which has two major assumptions: (1) reality is created through communication and (2) individual interpretations of symbols can converge and create a shared reality for those involved (Foss, 2009). This happens in a social c ontext in which individual worlds and interpretations converge, resulting in a shared reality for those involved. Sonata K. Foss (1996) in her textbook, Rhetorical Criticism: Exploration and Practice, If several or many people develop portions of their quotes Barman as stating: riveter symbolic worlds that overlap as a result of symbolic convergence, they share a common consciousness and have the basis for communicating with one another to understanding. Symbolic convergence occurs when individuals have Jointly experienced mutual interpretations with similar emotional responses. Although the message in these encounters is important, the act of sharing the message is the critical issue in these incidents.The basic unit of analysis of symbolic convergence is the fantasy theme. The fantasy is defined as a creative and imaginative interpretation of an event that makes it credible or believable to the artificial, or rather the means through which interpretation is accomplished in communication. Barman (1972) states in his article Fantasy and Rhetorical Vision: The Rhetorical Criticism of Social Real ity that participants in a fantasy theme are interested in the personal satisfaction found and are not troubled by contradictory details or evidence that might exist within the communication. As the participants participate in the story, similar emotions and interpretations will be present among the members of the group. The fantasy theme then becomes the groups experience ND results in a shared reality for the participants (Griffin 1997). There are three types of fantasy themes included in Barmans theory: (1) setting themes, which name the scene of an action, (2) character themes which describe agents or actors in the drama, assign motives to them and portray them as having certain characteristics, and (3) action themes which are the plot lines in which the characters engage. Foss, 1996) The next level in analysis is observing fantasy types within a community. A fantasy type is a repeated fantasy theme that includes similar scenes, characters, and plots that are shared by the members of a community. Griffin (1997) observes that most fantasies do not chain out but rather fall on deaf ears, but that chaining out occurs when people catch on to a fantasy theme and then conti nue to spread the theme which then feeds into the overall rhetorical vision or a unified putting together of various shared fantasies.When a fantasy type is developed the rhetoric involved are able to give a general story and the audience is able to fill in the details of the entire scenario. Included in the rhetorical vision of a community one will find fantasy themes which share the values, practices, heroes, and villains within he rhetorical group. Actions that make little sense to someone outside the rhetorical vision make perfect sense within the context of the group involved (Griffin 1997).Fantasy theme method suggests that the individual and collective transmutations of a groups goals, scope, and activitiesthe groups conceptualized reality, or fantasy themecan be used to study social movements. Based on the notion of fantasizing in small groups, this analytic approach provides a method of discovering how communication creates social realities for groups of people (Foss, 1997). Fantasy theme analysis, as Barman (1972) structured it, provides unique insight into the mentality and worldview of social groups.Foss (2004) summarizes the theory of symbolic convergence as a reference to the way narratives invite audiences to identify with the characters by using commonly established themes that the audience will immediately respond to as a cue to aid understanding. Barman designed this method to help explain how common symbols and values are developed through group communication. Fantasy theme criticism consists of four steps: 1 . Select an artifact 2. Analyzing the artifact 3. Formulating a research question 4. Writing the essay Analyzing the artifact consists of two steps: 1 .Coding the artifact for setting, characters, and action themes 2. Constructing the rhetorical visions from the fantasy theme a. Theme-?patterns b. Major and Minor-?Frequency and Intensity Coding consists of settings, characters, actions, and character theme codes. I will analyze the three main fantasy themes used in the song: violence, drugs/ alcohol and deception. These three powerful pieces of the song all show different ways that Americans youth can be influenced purely through a rhetorical framing of issues. At one point or another, these themes will have to be dealt with in the life process of todays youth.Analyzing how these themes function within the song will illustrate certain subliminal messages and influential factors that affect Americas youth. I will follow three of Barmans steps to complete my analysis. During fantasy theme analysis I must look for patterns within the song-?based on frequency and intensity. Symbolic convergence frames the theory that communication creates reality. As for reality, it is not only created for individuals but also groups; sharing hat sense of reality. The first step is to situate the song within the network of Americas youth.The second step is to examine the song for evidence of symbolic convergence and the fantasy themes used to perpetuate the subliminal messages and possible interpretations that remain transparent. The final step is to present the rhetorical vision Americas youth can create and be influenced by. These steps will complete my analysis of Mine and Airmans Love The Way You Lie in order to further understand how Americas youth is being influenced by hip hop culture in todays society. Analysis Descriptive Analysis Descriptive analyses involve direct observation of behavior and environmental events in naturalistic contexts.Research in descriptive analysis has focused on a variety of areas including descriptions of naturalistic observations of behavior and environmental events, integration of descriptive and functional analyses, comparisons of outcomes from descriptive and functional analysis, and quantitative analyses of behavior and environmental events (Slogan 2010). Using Campbell seven elements of rhetorical action I will delve into the descriptive analysis. The purpose, or central idea of Love The Way You Lie is to relate to potential listeners in an attempt to sell CDC and promote their music.One of the main goals of the song is of his/her music. Mine wants us to believe that creating violence in his song and music video is acceptable and/or cool. One lyric that represents this statement reads: . .. Its a steel knife in my wind pipe I cant breathe but I still fight while I can fight. The target audiences that Mine and Iranian are reaching out to are limited to none. Anyone that can listen and enjoy music is a target audience. On the other hand, those affected by the vulgar lyrics are none other than Americas youth! One aspect of growing up is finding out who you really are and what you like to do.At the ages of 13-18 1 feel like you are more prone to adopt values and ideas that you see in the everyday media. Prospective audience members or listeners are asked to adopt these violent actions into their lifestyles. Mine is personified in the song as a dead beat cheating boyfriend that has nothing going for him. Why would anyone want to adopt that persona? The tone of the song is depressing. The lyrics are aromatic and loaded with violent verbiage and deceitful actions. Amines attitude towards the audience is somewhat as a peer and a superior.Mine is viewed as a peer because he is trying to relate his music to the audience without turning them off or leaving anyone out. At the same thing, Mine is seen as authoritative because he hints to the audience that what he saying he has already done before. An example of Amines authoritative behavior in his lyrics would be: l cant tell you what it really is, I can only tell you what it feels like in this he is already stating that he has performed these actions. The structure of the song dwells on relationships people have with one another.Mine gains attention by introducing his perspective and by the use of vivid figurative analogies. Mine tries to create a shared reality with the audience by use of similar past relationships. If one person has had a rough relationship in the past, they will automatically become more susceptible to liking the song and its contents. The song is also chronologically structured, starting with the young couple in the bed, and develops as they fight over time. Mine himself is supporting materials for the themes he portrays in his song. He is notorious for his rough divorce with ex-wife Kimberly Matters.Iranian is also known for her tragic experience with abusive boyfriend Chris Brown. Strategies used to capture listeners include a catchy chorus as well as clever bold lyrics. Mine alludes to a previously dramatic relationship when he states: Im superman with the wind at his back, shes Lois Lane. This strategy is set up so that anyone who previously watched superman can easily create a shared reality and relate to the song. Critical Analysis In following three of Barmans steps to complete my analysis, many patterns of rugs/alcohol, violence and deception are drawn throughout the song.Symbolic convergence frames the theory that communication creates reality. The reality Mine creates through his lyrics and seen in the music video is a perception for Americas youth to view. One filled with alcohol abuse, drugs, violence and lies. The song is already situated within the media network of Americas youth. Subliminal messages perpetuated here include those of alcohol abuse, lies and deceit and acts of violence been seen as acceptable. My rhetorical vision states that people do not deed to lie, consume drugs or alcohol or be violent towards one another in order to be successful.Mine Airmans Love the Way You Lie contains three fantasy categorized as drugs/alcohol, violence and deception. As I immersed myself and scored through the lyrics of the song, some of the single worded (action themes) that helped me select these fantasy themes include: burn, cry, lie, fight, high, drunk, huffing paint, suffer, suffocate, hate, running, insane, laid hands, stoop, barley breathe, hit me, sick, spit me, throw me down, rage, separate ways, broken records, le ave, fall ace, temper, blinded, crazy, poised, fist, apologize, liar and set this house on fire. As for the music video, certain actions took place to help me narrow down my fantasy themes. These actions include: fighting, spitting in face, walking out, punch, drinking alcohol, stealing, yelling, shaking, hitting and burning. Setting themes include the house in the music video, the liquor store and the bar. Characters involved are Dominic Monogram and Megan Foxs character as well as Iranian and Mine referencing l and muff throughout the lyrics. Violence In terms of violence, the vulgarity of the lyrics emulate to Americas youth that hose specific actions and words are acceptable.It is not necessary for 13 year old children to hear lyrics like Im a tie her to the bed and set this house on fire. I feel that having a strong family background is crucial for children in terms of being raised more level headed but statements like that are Just unnecessary. The intensity of the violence in the music video is harsh. At one point in the video Megan Fox spits in Dominic Monograms face. Again, this is not acceptable behavior and should not be exemplified. Professional athletes are fined thousands of dollars for spitting in an opponents face but this music video makes it seem like its a regular occurrence.The frequencies of violent words in the lyrics are very high as well as intense. There are multiple clips in the music video where the couple physically assaults one another. The more Americas youth sees this behavior as acceptable, the more likely it will be duplicated. Drugs Alcohol Amines reference to drugs and alcohol is salient in the lyrics as well as the music video. In the music video Dominic Monogram goes as far as to steal a bottle of liquor from the store; shortly after he is seen rekindling his relationship with Megan Fox.This chain of events makes it seem like alcohol is the remedy for lifes problems. I only wish this was true! Fortunately Vie reached an age where I can decipher good and bad choices when a problem arises, as for 14 year olds, not so much. The music video is creating a reality in Americas youth that depicts the consumption and abuse of alcohol as acceptable. Recent test results support the predictions that the relationship between media exposure and alcohol use was mediated by peer norms and positive expectancies and that the relationship was partially moderated by language preference Among Yecch, 2010).Other references in Amines lyrics relate to inhaling household products which is terrible for the overall health huma n body. The lyrics read High off her love, drunk from my hate, its like Im huffing paint. Deception The song references to lying nine times before coming to an end. With the song being approximately 4 minutes and 30 seconds long, that means on average they are referencing to lying every 30 seconds. Thats a lot of lying! The devious behavior Dominic Monograms character partakes in by having a random phone number written on his hand should not be idealized on how to act in any relationship.This The fact that Dominic Monogram was out hitting on girls makes other women question if their significant other is doing the same exact thing. Not only does it make women appear insecure about their relationship, but makes males seem like a distrustful partner. People should not strive for these feelings or negative attributes but they are being castes on upon the youth of America. Implications, Discussion, and Limitations Young adulthood is a very important time in someones life. Decisions are made that can benefit or destroy the rest of that persons life.Why would we want the jawbone of America to be exposed to violence, drugs and alcohol? I dont know. As many others have said in the past, communication creates reality. This Mine and Iranian song communicates a fictional reality to the youth of America. It baffles me that a child could simply turn on the television and be exposed to the violence portrayed in this video. One limitation I encountered was that I only had 13 weeks to research the song, fantasy theme criticism, symbolic convergence theory and write the paper. The fact that I only had 13 weeks to write the paper gave me limited access to information on he topic.Another limitation I encountered was the use of only one rhetorical methodology. I understand that there is a part II of the song and would like to have the time to research that as well. I believe Fantasy theme is a great method for researching this song. On the overhand if I were to do it over again I would probably choose narrative criticism. There are serious social implications that may come about due to the content of this song. Implications for shoplifting, underage drinking and drug use are bound by imprisonment in the United States. I for sure wouldnt want y child to be viewing this video on television.

John Rowan’s Sub-Personalities Essay Example Essay Example

John Rowan’s Sub-Personalities Essay Example Paper John Rowan’s Sub-Personalities Essay Introduction After viewing the Art of Mediation DVD, identify the John Rowan’s sub-personalities from your Reading Assignment for each disputant (Ann and Liz) and explain why you chose the particular sub-personality for each of the disputants. You are permitted to choose more than one sub-personality for each disputant. In addition, select your most predominant sub personality then provide a paragraph about how you believe this will influence your mediation style. Ann-I believe initially before mediation she was â€Å"The Exploder†-she shouted back numerous times no matter the consequence and had a strong energy of frustration.She also was â€Å"The Please†-she wanted everyone to get along and maintain happiness in the business. She was â€Å"The Hurt Child†-her feelings were hurt when her life long friend wanted to end the business without her input. After mediation she became â€Å"The Warrior/Leader†-willing to find a solution to save her passion the business as well as her friendship. Liz-She was definitely â€Å"The Exploder†-she on many occasions just let her emotions out with total disregard. She was also unpredictable and was capable of blowing up at any time. Sometimes she was downright frightening with her actions too.She was a bit â€Å"The Moaner†-numerous times being self righteous and complaining about everything as well as initially not interested in solutions. She was also â€Å"The Hurt Child†-storming out initially in the beginning when Ann was expressing her feelings. Seemed to be very unreasonable in the beginning as well as into the mediation process. After mediation she too became â€Å"The Warrior/Leader†-she had a wider perspective when she communicated with Ann. She was willing to support their new idea for the business as well as maintain her friendship with Ann.I think the sub personality that I attribute myself to is â€Å"The Warrior/Leader†. I believe this suits my personalit y and I would use in my business practice as well. I am productive, organized, and grounded which would be suitable for my style in mediation. I am a strategist and goal setter who always seek solutions in a sensible and rationale and fair way. I think this sub personality is beneficial in my practice as to answer what is mediation all about? Coming together to find sound solutions for people who are in conflict. 2.Read the below case study then review Harris’s life positions from your Reading Assignment. Identify which life position each character in the case study displays with a full explanation for such selection. 1. I’m Not OK, You’re Not OK-position of futility, no way out, everyone is wrong, everyone is damned. 2. I’m Not OK, You’re OK-there is something wrong with me, I do not deserve to be treated with respect and consideration, I will be motivated to get away from you, I will accept unachievable targets, take time off, drink too much, res ign or self harm. . I’m OK, You’re Not OK-there is something wrong with you, I do not need to treat you with respect or consideration. 4. I’m OK, You’re OK-I am a valuable human being, I deserve respect and consideration and so do you, I am motivated to get along with you and I will go for what is right and fair for us both. Johnson Rice-I’m OK, You’re OK.. Johnson has always been a team player with a high work ethic and hoped to recruit those with the same mindset. He would often work late hours and weekends without pay to keep his new venture going.Verily Masters-I’m OK, You’re Not OK.. began to make a regular habit of belittling the other partners with her constant bragging about how her credentials as a nurse and her MBA made her the most valuable part of the business. Further she would constantly threaten the other partners that she would start her own business and get paid $300,000 per year without having to teach them al l she knew about nursing. Perry Klein-I’m Not OK, You’re Not OK.. Perry also believed that he could take the same business idea back to his hometown where he would thrive.Perry believed that his superior sales skills were the cause for the company’s growing success and he was convinced that he did not need either Johnson or Verily anymore. Perry was also having pains of missing his family. Perry’s wife-I’m Not OK, You’re OK.. was threatening divorce if he could not give her a date and time for his return to the family home. This involved Perry spending countless working hours on the telephone and on elongated vacations during working hours. 3. Read the case study below then review Tuckman’s team development model. Identify and explain each stage of Tuckman’s model as it relates to this scenario.Be very specific. Johnson Rice set up a home health aide business in the basement of his family home. At first the business was relativ ely small but as it began to grow he realized the need for additional employees. Johnson has always been a team player with a high work ethic and hoped to recruit those with the same mindset. He would often work late hours and weekends without pay to keep his new venture going. Forming-New company just starting out. Verily Masters, a 39 year old woman, with whom Johnson had a dating relationship with many years prior but they remained friends after their breakup in high school.Johnson admired Verily for her background in nursing and her ability to articulate her position to outside referral agencies so Johnson asked Verily if she would consider a partnership to combine their talents. Johnson realized that Verily possessed skills where he had deficits. Verily accepted with joy, since she had just been fired from her last position, for reasons unknown to Johnson. Forming- Gathering information and impressions about each other, and about the scope of the task and how to approach it to benefit the business.Perry Klein, Johnson’s cousin, was the next person that Johnson approached to become the final member of the partnership. Perry lived 1,500 miles away with his wife and children but agreed to relocate to be part of the business venture. Neither Perry’s wife nor children joined him when he relocated for this business venture. Johnson had approached Perry for his sales skills and his ability to connect to community organizations. Forming- Gathering information and impressions about each other, and about the scope of the task and how to approach it to benefit the business. Soon the company began to grow quite rapidly.The headquarters of the company moved from the basement of Johnson’s home to an affluent neighborhood in the suburbs with an operation of more than 100 employees. At first the working relationship among the three partners seemed to go rather smoothly. Johnson continued to work 12 hour days while both Perry and Verily worked 4-6 hou r days. As the company began to grow each partner enjoyed a six figure income of $100,000 each. Performing- This is the phase where team members start to come together, developing processes, establishing ground rules, clarifying who does what, and how things will be done.The company is growing as the employees are doing what’s needed for the company to succeed. The group seems comfortable within themselves. Lot more independent. About 6 months into the partnership, the honeymoon phase of this partnership ended. Verily began to make a regular habit of belittling the other partners with her constant bragging about how her credentials as a nurse and her MBA made her the most valuable part of the business. Further she would constantly threaten the other partners that she would start her own business and get paid $300,000 per year without having to teach them all she knew about nursing.Storming- Cliques and factions form and there may be power struggles. The team needs to be focus ed on its goals to avoid becoming distracted by relationships and emotional issues. Once team members begin to familiarize themselves with other personalities in the group, initial power struggles and protective, work practices can begin to get in the way of smooth, effective workflow. Perry was also having pains of missing his family. Perry’s wife was threatening divorce if he could not give her a date and time for his return to the family home.This involved Perry spending countless working hours on the telephone and on elongated vacations during working hours. Perry also believed that he could take the same business idea back to his hometown where he would thrive. Perry believed that his superior sales skills were the cause for the company’s growing success and he was convinced that he did not need either Johnson or Verily anymore. Forming- Individual behavior is driven by a desire to be accepted by the others, and avoid controversy or conflict. Serious issues and fe elings are avoided, and people focus on being busy with routines.Johnson was aware of mediation and just wanted everyone to get along. He had learned mediation through a meeting he attended at his local community center. He told the other partners about the process and they thought that Johnson was trying to thwart them from the business and became very suspicious. At first they all rejected the notion, until participating in a free consultation with the local mediator. All parties then agreed to participate in mediation as a way to resolve their issues and preserve the friendship/family relationships and heal their business relationship.Storming- Cliques and factions form and there may be power struggles. The team needs to be focused on its goals to avoid becoming distracted by relationships and emotional issues. Once team members begin to familiarize themselves with other personalities in the group, initial power struggles and protective, work practices can begin to get in the way of smooth, effective workflow. The first session was very long as the parties took much time to tell their story from their prospective. The parties soon realized during mediation that policy and procedures, job descriptions, and party expectations had never been memorialized.Therefore all of this as done using the mediation process which resulted in four 3 hour sessions. The parties mediated an effective action plan. Norming- The group become established, and the scope of the group’s tasks or responsibilities are clear and agreed. Having had their arguments, they now understand each other better, and can appreciate each other’s skills and experience. Individuals listen to each other, appreciate and support each other, and are prepared to change their views. John Rowan’s Sub-Personalities Essay Thank you for reading this Sample!

Bronze-coloured skin is not the sign of health and beauty Essay Example

Bronze Bronze-coloured skin is not the sign of health and beauty Paper Bronze-coloured skin is not the sign of health and beauty Paper The bronze-colored skin is always attractive due to its health and sexual aspect. Thousands of people are eager of getting their skin brown. People acquire a tan in summer under the hot sun and in winter in numerous solariums. Both sun and solarium are dangerous for skin. But the sun as the powerful radiation source must be actively taken into consideration. Physicians during many years have been warning people against sun as the source of powerful radiation. Nevertheless, the quantity of sun ultraviolet victims is growing up actively. There are a plenty of facts and mistakes people must be aware of. First of all, many think that they bear not risk of getting some skin disease if they manage to avoid sunburn. That’s not right opinion. Even if you haven’t got sunburn while taking a sun bathe – that doesn’t mean that you haven’t suffered the harmful sun emanation. If you organism have been under the sun radiation for short time at least, so you skin is already under the threat of sun aggression. That can be easy explained. The skin cells produce the protective melanin (which gives the bronze color to the skin) precisely when ultraviolet influence badly the skin. So, the bronze-colored skin and the threat for skin always co-exist. The microscopic observation of skin shows that the skin cells while taking a sun bathe suffer a significant degradation. Such cells can’t be given back their youth, health and flexibility. The ultraviolet rays can even cause changes in DNA skin structure that can result in converting cells into malignant. Another great confusion is that some people think that the more bronze-colored their skin is the more time they can spend under the sun rays. Skin is always very vulnerable if to speak about sun radiation. The natural organism’s protection from sun radiation is minimal, especially if one has naturally fair skin. That means that his skin isn’t able to elaborate the enough quantity of melatonin. So, if you have fair-skin, it is even more dangerous for you to take sun bathe. Some people think that if they get ultraviolet rays for a short time – they get not risk of sunburn. Certainly, that helps to avoid grave consequences but in reality that’s enough to be under the sun during 10 minutes for getting a sunburn. Even people with already suntanned skin may experience the sunburn in 35-40 minutes while being under the sun rays. Many try to avoid the dangerous contact with sun and go to the beach when the weather is not too sunny. But that doesn’t eliminate the sun rays threat. The scientists found out that during the hot summer time even if it is raining we are not protected from the sun emanation. Almost 80% of sun rays surpass freely the cloud obstacle. The shadow from umbrella, hat or tree can’t serve as a reliable protection as well. They reflect 20% of sun rays only and that means that one gets the sun emanation even when sitting in a dense shadow. It was noted by physicians that the village women’s skin is getting older faster than city women’s. First it was explained by that fact that city women take more care of their skin. But then it was found out that the reason of fast skin aging among village women was caused by the long staying under the sun rays. Under the influence of sun rays the skin looses its flexibility, becomes dry and ages fast. The main threat of bronze-coloured skin is the possibility of skin cancer emerging. The ultraviolet light provokes oxidation on the skin because of light and heat synthesis. The main problem is that skin has its own â€Å"memory† and it remembers all the hours of spent under the ultraviolet influence. When the quantity of these hours exceeds a certain limit (it’s differs from person to person) the risk of getting the skin cancer becomes considerable. Ness A. R. and others (1999) note that â€Å"Increased rates of other more benign forms of skin cancer (such as squamous cell carcinoma and basal cell carcinoma), cataracts, and skin ageing are associated with either intermittent or cumulative exposure to sunlight. While these diseases are important causes of morbidity, they are usually amenable to treatment, and are not generally fatal. In 1995, the deaths of 264 men and 175 women in England and Wales were attributed to non-melanoma skin cancer†(n. p. ) It was also noted that inhabitants of northern countries (Great Britain, Denmark, Germany, etc. ) suffer skin cancer more often then their Southern neighbourhoods. That’s rather strange as, for example, Great Britain isn’t considered to be a very sunny country. The results of the investigation carried out by European scientists showed the inhabitants of such northern countries get their skin diseases when being on the vacations in southern countries. During a year an Englishman gets few sun rays in his native country. So, the tense sun radiation isn’t customary for him. Consequently, when he comes to the hot and sunny beach his skin gets an enormous shock what can result in dangerous skin illness. So, there is nothing denying that fact that sun radiation is dangerous and that bronze-coloured skin doesn’t always means health and beauty. The brown skin is a deceptive seducer and it is necessary to be very careful when taking a sun bathe. Bibliography 1. Emerson, J. Weiss, N. (1992) Colorectal cancer and solar radiation. Cancer Causes Control: 3, 95-9. 2. Krause, R. , Bohring, M. , Hopfenmuller, W. al, e. (1998). Ultraviolet B and blood pressure. Lance:t 352, 709-10. 3. Ness A. R. , Frankel S. J. , Gunnell D. J. , Smith G. D. (1999). Are we really dying for a tan? BMJ, 319:114-116 (10 July). Retrieved May 22, 2006, from ulb. ac. be/medecine/loce/espcr/b_iss/Dis-34. htm. 4. Shors, A. R. , Solomon, C. , McTiernan, A. White, E. (2001). Melanoma risk in relation to height, weight, and exercise (United States). Cancer Causes Control: 12, 599-606. 5. Hemminki K, Zhang H, Czene K. (2003). Incidence trends and familial risks in invasive and in situ cutaneous melanoma by sun-exposed body sites. Int. Journal of Cancer: 104(6): 764-71

Customer service phrases that will help in any tough situation

Customer service phrases that will help in any tough situation Customer service is  important in any company. They are the front-runners  for customer interaction and satisfaction. With that being said, customers judge a company based on their interaction experience either through phone, email, or face to face.   Depending  on how well it goes customers  can decide  whether or not they want to continue business with these companies. With these tips on how to handle customers in tough situations, you are bound to help them feel valued and heard. Your customer service will be unforgettable!Source [ SlickText ]

Critical Appraisal Essay Example | Topics and Well Written Essays - 500 words

Critical Appraisal - Essay Example This is attributed to how knowledge and attitude of oncologists had an effect on fertility preservation in cancer treatment. This forms a foundation of the research question used in the study. In addition, the age and sex of the physicians were incorporated as independent variables to evaluate if they affected the oncologists’ knowledge and attitude towards fertility preservation. This would identify the need for further education among oncologists about fertility preservation. The analysis of this study and reveals that it tests a prior hypothesis made before the commencement of measurement phase. That is, there is a general conclusion and predictions about cancer and the oncologists current know how, attitude, perception, practices and barriers in relation to the preservation of fertility among the child bearing age populace in the UK. This course satisfies its design as confirmatory with oncologists perception of fertility as a women issue as another extraneous variable. This was however well controlled by re-accounting the study thesis. The study’s design was influenced by the pilot findings (Adams, et al., 2013). The pilot entailed an online survey of a few doctors via MedeConnect Company. The main adjustment done in the final study is increment of the allocated finance due to the pilots’ insight that the prior allocated one would not last the project to completion. The inclusion/exclusion or eligibility criterion for the study was that the oncologist doctors had to be registered members of the GMC doctor’s corporation and had the link of MedeConnect Company. The method used is probability sampling and mainly cluster sampling. The survey had to be carried out through UK in eternity that was the study’s sampling frame. Due to insufficient resources, only a few online oncologists had been chosen (Adams, et al., 2013). The sample size was 100 online oncologists. The

Difference in athletic funding behind women's sports in the ACC Research Paper

Difference in athletic funding behind women's sports in the ACC conference and NCAA - Research Paper Example The ACC is acknowledged to be one of the six university power gatherings, all of which appreciate impressive media scope and immediate fitting the bill for their football champion into the Bowl Championship Series (BCS). With the appearance of the College Football Playoff in 2014, the ACC will be one of five gatherings with a contractual tie-into a "right to gain entrance bowl", the successors to the BCS (Adams, 2004). My present objectives for this research are to uncover the different wellsprings of subsidizing for the Atlantic Coast Conference (ACC) and the National Collegiate Association (NCAA), the challenges that this two real affiliations confront and how they can beat their everyday issues regarding operation and part enlistment, financing and extension arranges and methodology. My present contention here is that these two companionships might as well accept the time and consideration that they merit by the neighborhood government to lure more young people, offer more grants and fiscal support to learners consequently making them succeed towards the right way. Literature Review Consistent with a report recorded by Boston College in agree-ability with the Equity in Athletics Disclosure Act, varsity male sports members appropriated $1.7 million progressively in physically identified understudy help than female members did throughout the 2011-12 season, notwithstanding there being one and only more male than female member. This hole brings about male competitors gaining a normal of $25,000 yearly, while female jocks get a normal of $20,000 every twelve-months (Heights Editorial Board, 2013). Although from the start, it look like this student aid appears to be alarmingly vast, in examination with comparable schools, it is less so. For instance, at the University of Miami, male jocks on normal gain $39,000 every twelve-months, while female players accept just $30,000 yearly, a crevice of $9,000 in correlation to Bc's hole of about $5,000. At Wake Forest Univ ersity, the hole is about $6,000 energetic about ladies (Heights Editorial Board, 2013). These schools are less great in keeping the amount of male and female members equivalent, then again. At Wake Forest, there are 238 male sports members and just 124 female members. Duke University has a crevice of just about $2,000, however correspondingly to Wake Forest has a vast hole in members 374 men to 274 females (Pittsburgh, 2010). It appears that the Athletic Department is giving equivalent chances for male and female contenders, anyhow to a more terrific degree than comparative ACC schools. In the most recent 10 years, the amount of male and female members has never contrasted by more than 30 sportspeople in either bearing, and frequently switches between additional men and more ladies. While the $1.7 million aid is not to a great degree shocking, we are concerned by what amount of an expansion this is from past years(Keating, 2012). For instance, in 2010, when there were 16 more male members, the money was just $940,000, consistent with the report. In 2009, the year with the following

Individual Assignment Current Events in Business Essay Example for Free

Individual Assignment Current Events in Business Essay Write a 300-word summary of the business research process by describingthe business research process from your experience in the workplace or in an article you find through the University Library. Format your paper consistent with APA guidelines. You can meet lots of people by taking advantage of orientation social events. Heading off to a college where you know no one can be a daunting and isolating experience. By participating in social activities right away, you will be able to meet others who are in the same boat and looking to make friends.

Bresson’s A Man Escaped Essay -- Robert Bresson

Evidence of an Auteur: Bresson’s A Man Escaped Robert Bresson’s A Man Escaped follows the confinement and eventual escape of political activist, Lieutenant Fontaine. The movie’s theme is blatantly clear: freedom at all costs. Fontaine must not only save himself from imminent death, but from the fear of parched sanity. Bresson, an â€Å"auteur† by the standards of colleagues and the Cahiers Du Cinema group, creates suspense melded with hope through the scarcity of music and sound, the restricted establishment of setting, the daunting acting of Francois Leterrier, the exposition of time, and the heavy reliance of a narrator. After first viewing of the film, one might be quick to say that the film is completely devoid of music. It is used so scarcely that it appears to make no impact. Yet, it is that scarcity and exclusion that creates the sullen tone of the film. Bresson relies heavily on ambient, diegetic sound that, in this case, is going to be the silence or the rustling of prisoners’ or guards’ feet within the walls of the prison. Careful scraping of the spoon handle on the floor, the creaking of the wooden door as it is pried open, and the light tapping on the cement walls all lend to the solitude and determination of the prisoner. Sound very much plays a role as a symbol; the clinking of the keys against the railing represents not only authority but raises the tension of the film, the viewer knowing that Fontaine’s exposure as an attempted escapee would lead to sudden death. In combination with the random firings from the death squad, Bresson leads the viewer to really f eel the hopelessness and disparity of the situation. Later in the film, during the escape, the train whistle plays parts as both a warning and ... ...war), but in a way that really strove to show the effects of war on one man from his point of view (far more personal and disheartening). Bresson’s other films are made much in the same vein. Though, for example, L’Argent was made in 1983—far from the reaches of the New Wave era—it still has the Bresson-typical ambient sound, tortured main character, and dreariness about it. Jack C. Ellis says that Bresson’s â€Å"search for ever greater clarity and simplicity of visual-aural statement, his concentration on only those themes that most deeply concern him, place him among the very select company with which he is being considered.† So, while some directors may be debated upon continually as an auteur, it is clear from the consensus of historians and critics, as well as his consistent work in his thirteen films, that Robert Bresson has secured his role as an auteur. Bresson’s A Man Escaped Essay -- Robert Bresson Evidence of an Auteur: Bresson’s A Man Escaped Robert Bresson’s A Man Escaped follows the confinement and eventual escape of political activist, Lieutenant Fontaine. The movie’s theme is blatantly clear: freedom at all costs. Fontaine must not only save himself from imminent death, but from the fear of parched sanity. Bresson, an â€Å"auteur† by the standards of colleagues and the Cahiers Du Cinema group, creates suspense melded with hope through the scarcity of music and sound, the restricted establishment of setting, the daunting acting of Francois Leterrier, the exposition of time, and the heavy reliance of a narrator. After first viewing of the film, one might be quick to say that the film is completely devoid of music. It is used so scarcely that it appears to make no impact. Yet, it is that scarcity and exclusion that creates the sullen tone of the film. Bresson relies heavily on ambient, diegetic sound that, in this case, is going to be the silence or the rustling of prisoners’ or guards’ feet within the walls of the prison. Careful scraping of the spoon handle on the floor, the creaking of the wooden door as it is pried open, and the light tapping on the cement walls all lend to the solitude and determination of the prisoner. Sound very much plays a role as a symbol; the clinking of the keys against the railing represents not only authority but raises the tension of the film, the viewer knowing that Fontaine’s exposure as an attempted escapee would lead to sudden death. In combination with the random firings from the death squad, Bresson leads the viewer to really f eel the hopelessness and disparity of the situation. Later in the film, during the escape, the train whistle plays parts as both a warning and ... ...war), but in a way that really strove to show the effects of war on one man from his point of view (far more personal and disheartening). Bresson’s other films are made much in the same vein. Though, for example, L’Argent was made in 1983—far from the reaches of the New Wave era—it still has the Bresson-typical ambient sound, tortured main character, and dreariness about it. Jack C. Ellis says that Bresson’s â€Å"search for ever greater clarity and simplicity of visual-aural statement, his concentration on only those themes that most deeply concern him, place him among the very select company with which he is being considered.† So, while some directors may be debated upon continually as an auteur, it is clear from the consensus of historians and critics, as well as his consistent work in his thirteen films, that Robert Bresson has secured his role as an auteur.

Novel Object Recognition Test

The novel object recognition (NOR) test was used to determine working and spatial memory. In this study 75cm Ãâ€" 50cm Ãâ€" 30cm transparent box was used. Three days prior to the habituation sessions, the rats were exposed to the box to familiarize with the environment. On the test day, they were exposed to identical objects to acclimatize with for 5min thereafter, the rats were then returned into their home cage with food and water. Thirty minutes later, the probe test was conducted, each rat was placed inside the box with one of the object replaced by a novel one for 5 min. It is important that (a) the objects have a â€Å"neutral† shape in terms of its significance to the animal, (b) be devoid of any marked characteristics, such as odor and movement, for instance (Li et al., 2011). The total time spent exploring the two objects was recorded. â€Å"Object exploration† is defined as directing the nose and vibrissae to the object at a distance of less than 2 cm, as if â€Å"smelling† it with caution, while bumping, turning around or sitting upon the object were not considered. Discrimination ratio, which is the difference in exploration time, expressed as the ratio of total exploration time with both objects in the choice phase (this ratio allows to adjust for individual or group differences in the total amount of exploration time) was calculated as percentage memory index as shown below:Time spent with new object X 100Memory index (%) = Total time spent with both old and new object (Ogundele et al., 2014).Morris Water MazeThe Morris water maze (MWM) is another apparatus designed to examine the memory impairment in rodents, thus it is highly specific for hippocampal function. This study was carried out as earlier described by Barnhart et al (2015). Each trial began by placing the rat on the platform for 20 s in a bid to allow orientation to extramaze cues found around the apparatus. After orientation, rats were gently lowered into the pool by facing the wall at one of 3 positions (i.e., each at the center of the wall of a different quadrant not housing the platform). After the rat was released into the pool, the observer had to retreat away from the pool to a constant position within the room, such that he served as an additional distal visual cue. Maximum swim time was set at 60 s. Any rat that locates the platform before 60 s was removed from the pool immediately, while the rats that are unable to locate the platform after 60 s of swimming were gently guided to the platform and allowed to re-orient to the distal visual cues for an additional 20 s before being eventually removed from the pool. After removal from the pool, each rat was manually dried with a terrycloth towel and placed in a plastic cage with wood shavings for at least 5 min before returning to the home cage. Each rat was trained twice a day for 2 days with an inter-trial interval of approximately 30 min. Training was conducted at roughly the same time every day in bid to minimize variability in performance due to time of day (Morris, 1984). To examine spatial reference memory, a probe test was administered 24 h after the last training session. During the probe test, the platform was removed from the pool and the rat was allowed to swim freely for 1 min. The rationale of this task was to determine number of time the initial location of the platform was crossed/visited.

Minority Group and Multiculturalism Essay

This research was commissioned by the Transatlantic Council on Migration, an initiative of the Migration Policy Institute (MPI), for its seventh plenary meeting, held November 2011 in Berlin. The meeting’s theme was â€Å"National Identity, Immigration, and Social Cohesion: (Re)building Community in an Ever-Globalizing World† and this paper was one of the reports that informed the Council’s discussions. The Council, an MPI initiative undertaken in cooperation with its policy partner the Bertelsmann Stiftung, is a unique deliberative body that examines vital policy issues and informs migration policymaking processes in North America and Europe. The Council’s work is generously supported by the following foundations and governments: Carnegie Corporation of New York, Open Society Foundations, Bertelsmann Stiftung, the Barrow Cadbury Trust (UK Policy Partner), the Luso-American Development Foundation, the Calouste Gulbenkian Foundation, and the governments of Germany, the Netherlands, Norway, and Sweden. For more on the Transatlantic Council on Migration, please visit: www. migrationpolicy. org/transatlantic.  © 2012 Migration Policy Institute. All Rights Reserved. No part of this publication may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission from the Migration Policy Institute. A full-text PDF of this document is available for free download from www. migrationpolicy. org. Permission for reproducing excerpts from this report should be directed to: Permissions Department, Migration Policy Institute, 1400 16th Street, NW, Suite 300, Washington, DC 20036, or by contacting communications@migrationpolicy. org. Suggested citation: Kymlicka, Will. 2012. Multiculturalism: Success, Failure, and the Future. Washington, DC: Migration Policy Institute. Table of Contents Executive Summary†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 1 I. Introduction†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 2 The Rise and Fall of Multiculturalism†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â ‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 3 . II. What Is Multiculturalism?†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 4 A. Misleading Model†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 4 . B. Multiculturalism in Context†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ 5 . C. The Evolution of Multiculturalism Policies†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã ¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 7 III. Multiculturalism in Practice†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 10 A. The Canadian Success Story†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ 10 B. The European Experience†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 13 . IV. The Retreat from Multiculturalism†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. . 14 A. Rhetoric versus Reality †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 14 B. Proliferation of Civic Integration Policies†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 15 . V. Conclusion:The Future of Multicultural Citizenship†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 21 Appendices†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ 26 Works Cited†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ 28 About the Author†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 32 MIGRATION POLICY INSTITUTE Executive Summary Ideas about the legal and political accommodation of ethnic diversity — commonly termed â€Å"multiculturalism† — emerged in the West as a vehicle for replacing older forms of ethnic and racial hierarchy with new relations of democratic citizenship. Despite substantial evidence that these policies are making progress toward that goal, a chorus of political leaders has declared them a failure and heralded the death of multiculturalism. This popular master narrative is problematic because it mischaracterizes the nature of the experiments in multiculturalism that have been undertaken, exaggerates the extent to which they have been abandoned, and misidentifies not only the genuine difficulties and limitations they have encountered but the options for addressing these problems. Talk about the retreat from multiculturalism has obscured the fact that a form of multicultural integration remains a live option for Western democracies. This report challenges four powerful myths about multiculturalism. First, it disputes the caricature of multiculturalism as the uncritical celebration of diversity at the expense of addressing grave societal problems such as unemployment and social isolation. Instead it offers an account of multiculturalism as the pursuit of new relations of democratic citizenship, inspired and constrained by human-rights ideals. Second, it contests the idea that multiculturalism has been in wholesale retreat, and offers instead evidence that multiculturalism policies (MCPs) have persisted, and have even grown stronger, over the past ten years. Third, it challenges the idea that multiculturalism has failed, and offers instead evidence that MCPs have had positive effects. Fourth, it disputes the idea that the spread of civic integration policies has displaced multiculturalism or rendered it obsolete. The report instead offers evidence that MCPs are fully consistent with certain forms of civic integration policies, and that indeed the combination of multiculturalism with an â€Å"enabling† form of civic integration is both normatively desirable and empirically effective in at least some cases. To help address these issues, this paper draws upon the Multiculturalism Policy Index. This index 1) identifies eight concrete policy areas where liberal-democratic states — faced with a choice — decided to develop more multicultural forms of citizenship in relation to immigrant groups and 2) measures the extent to which countries have espoused some or all of these policies over time. While there have been some high-profile cases of retreat from MCPs, such as the Netherlands, the general pattern from 1980 to 2010 has been one of modest strengthening. Ironically, some countries that have been vociferous about multiculturalism’s â€Å"failure† (e. g. , Germany) have not actually practiced an active multicultural strategy. Talk about the retreat from multiculturalism has obscured the fact that a form of multicultural integration remains a live option for Western democracies. However, not all attempts to adopt new models of multicultural citizenship have taken root or succeeded in achieving their intended effects. There are several factors that can either facilitate or impede the successful implementation of multiculturalism: Multiculturalism: Success, Failure, and the Future 1 MIGRATION POLICY INSTITUTE Desecuritization of ethnic relations. Multiculturalism works best if relations between the state and minorities are seen as an issue of social policy, not as an issue of state security. If the state perceives immigrants to be a security threat (such as Arabs and Muslims after 9/11), support for multiculturalism will drop and the space for minorities to even voice multicultural claims will diminish. Human rights. Support for multiculturalism rests on the assumption that there is a shared commitment to human rights across ethnic and religious lines. If states perceive certain groups as unable or unwilling to respect human-rights norms, they are unlikely to accord them multicultural rights or resources. Much of the backlash against multiculturalism is fundamentally driven by anxieties about Muslims, in particular, and their perceived unwillingness to embrace liberal-democratic norms. Border control. Multiculturalism is more controversial when citizens fear they lack control over their borders — for instance when countries are faced with large numbers (or unexpected surges) of unauthorized immigrants or asylum seekers — than when citizens feel the borders are secure. Diversity of immigrant groups. Multiculturalism works best when it is genuinely multicultural — that is, when immigrants come from many source countries rather than coming overwhelmingly from just one (which is more likely to lead to polarized relations with the majority). Economic contributions. Support for multiculturalism depends on the perception that immigrants are holding up their end of the bargain and making a good-faith effort to contribute to society — particularly economically. When these facilitating conditions are present, multiculturalism can be seen as a low-risk option, and indeed seems to have worked well in such cases. Multiculturalism tends to lose support in high-risk situations where immigrants are seen as predominantly illegal, as potential carriers of illiberal practices or movements, or as net burdens on the welfare state. However, one could argue that rejecting immigrant multiculturalism under these circumstances is in fact the higher-risk move. It is precisely when immigrants are perceived as illegitimate, illiberal, and burdensome that multiculturalism may be most needed. I. Introduction Ideas about the legal and political accommodation of ethnic diversity have been in a state of flux around the world for the past 40 years. One hears much about the â€Å"rise and fall of multiculturalism. † Indeed, this has become a kind of master narrative, widely invoked by scholars, journalists, and policymakers alike to explain the evolution of contemporary debates about diversity. Although people disagree about what comes after multiculturalism, there is a surprising consensus that we are in a post-multicultural era. This report contends that this master narrative obscures as much as it reveals, and that we need an alternative framework for thinking about the choices we face. Multiculturalism’s successes and failures, as well as its level of public acceptance, have depended on the nature of the issues at stake and the countries involved, and we need to understand these variations if we are to identify a more sustainable model for accommodating diversity. This paper will argue that the master narrative 1) mischaracterizes the nature of the experiments in multiculturalism that have been undertaken, 2) exaggerates the extent to which they have been abandoned, and 3) misidentifies the genuine difficulties and limitations they have encountered and the options for addressing these problems. 2 Multiculturalism: Success, Failure, and the Future MIGRATION POLICY INSTITUTE Before we can decide whether to celebrate or lament the fall of multiculturalism, we need first to make sure we know what multiculturalism has meant both in theory and in practice, where it has succeeded or failed to meet its objectives, and under what conditions it is likely to thrive in the future. The Rise and Fall of Multiculturalism The master narrative of the â€Å"rise and fall of multiculturalism† helpfully captures important features of our current debates. Yet in some respects it is misleading, and may obscure the real challenges and opportunities we face. In its simplest form, the master narrative goes like this:1 Since the mid-1990s †¦ we have seen a backlash and retreat from multiculturalism. From the 1970s to mid-1990s, there was a clear trend across Western democracies toward the increased recognition and accommodation of diversity through a range of multiculturalism policies (MCPs) and minority rights. These policies were endorsed both at the domestic level in some states and by international organizations, and involved a rejection of earlier ideas of unitary and homogeneous nationhood. Since the mid-1990s, however, we have seen a backlash and retreat from multiculturalism, and a reassertion of ideas of nation building, common values and identity, and unitary citizenship — even a call for the â€Å"return of assimilation. † This retreat is partly driven by fears among the majority group that the accommodation of diversity has â€Å"gone too far† and is threatening their way of life. This fear often expresses itself in the rise of nativist and populist right-wing political movements, such as the Danish People’s Party, defending old ideas of â€Å"Denmark for the Danish. † But the retreat also reflects a belief among the center-left that multiculturalism has failed to help the intended beneficiaries — namely, minorities themselves — because it has failed to address the underlying sources of their social, economic, and political exclusion and may have unintentionally contributed to their social isolation. As a result, even the center-left political movements that initially championed multiculturalism, such as the social democratic parties in Europe, have backed 1 For influential academic statements of this â€Å"rise and fall† narrative, claiming that it applies across the Western democracies, see Rogers Brubaker, â€Å"The Return of Assimilation? † Ethnic and Racial Studies 24, no. 4 (2001): 531–48; and Christian Joppke, â€Å"The Retreat of Multiculturalism in the Liberal State: Theory and Policy,† British Journal of Sociology 55, no. 2 (2004): 237–57. There are also many accounts of the â€Å"decline,† â€Å"retreat,† or â€Å"crisis† of multiculturalism in particular countries. For the Netherlands, see Han Entzinger, â€Å"The Rise and Fall of Multiculturalism in the Netherlands,† in Toward Assimilation and Citizenship: Immigrants in Liberal Nation-States, eds. Christian Joppke and Ewa Morawska (London: Palgrave, 2003) and Ruud Koopmans, â€Å"Trade-Offs between Equality and Difference: The Crisis of Dutch Multiculturalism in Cross-National Perspective† (Brief, Danish Institute for International Studies, Copenhagen, December 2006). For Britain, see Randall Hansen, â€Å"Diversity, Integration and the Turn from Multiculturalism in the United Kingdom,† in Belonging? Diversity, Recognition and Shared Citizenship in Canada, eds. Keith G. Banting, Thomas J. Courchene, and F. Leslie Seidle (Montreal: Institute for Research on Public Policy, 2007); Les Back, Michael Keith, Azra Khan, Kalbir Shukra, and John Solomos, â€Å"New Labour’s White Heart: Politics, Multiculturalism and the Return of Assimilation,† Political Quarterly 73, No. 4 (2002): 445–54; Steven Vertovec, â€Å"Towards post-multiculturalism? Changing communities, conditions and contexts of diversity,† International Social Science Journal 61 (2010): 83–95. For Australia, see Ien Ang and John Stratton, â€Å"Multiculturalism in Crisis: The New Politics of Race and National Identity in Australia,† in On Not Speaking Chinese: Living Between Asia and the West, ed. I. Ang (London: Routledge, 2001). For Canada, see Lloyd Wong, Joseph Garcea, and Anna Kirova, An Analysis of the ‘Anti- and Post-Multiculturalism’ Discourses: The Fragmentation Position (Alberta: Prairie Centre for Excellence in Research on Immigration and Integration, 2005), http://pmc. metropolis. net/Virtual%20Library/FinalReports/Post-multi%20FINAL%20REPORT%20for%20PCERII%20_2_. pdf. For a good overview of the backlash discourse in various countries, see Steven Vertovec and Susan Wessendorf, eds. , The Multiculturalism Backlash: European Discourses, Policies and Practices (London: Routledge, 2010). Multiculturalism: Success, Failure, and the Future 3 MIGRATION POLICY INSTITUTE away from it and shifted to a discourse that emphasizes â€Å"civic integration,† â€Å"social cohesion,† â€Å"common values,† and â€Å"shared citizenship. †2 The social-democratic discourse of civic integration differs from the radical-right discourse in emphasizing the need to develop a more inclusive national identity and to fight racism and discrimination, but it nonetheless distances itself from the rhetoric and policies of multiculturalism. The term postmulticulturalism has often been invoked to signal this new approach, which seeks to overcome the limits of a naive or misguided multiculturalism while avoiding the oppressive reassertion of homogenizing nationalist ideologies. 3 II. What Is Multiculturalism? A. Misleading Model In much of the post-multiculturalist literature, multiculturalism is characterized as a feel-good celebration of ethnocultural diversity, encouraging citizens to acknowledge and embrace the panoply of customs, traditions, music, and cuisine that exist in a multiethnic society. Yasmin Alibhai-Brown calls this the â€Å"3S† model of multiculturalism in Britain — saris, samosas, and steeldrums. 4 Multiculturalism takes these familiar cultural markers of ethnic groups — clothing, cuisine, and music — and treats them as authentic practices to be preserved by their members and safely consumed by others. Under the banner of multiculturalism they are taught in school, performed in festivals, displayed in media and museums, and so on. This celebratory model of multiculturalism has been the focus of many critiques, including the following: It ignores issues of economic and political inequality. Even if all Britons come to enjoy Jamaican steeldrum music or Indian samosas, this would do nothing to address the real problems facing Caribbean and South Asian communities in Britain — problems of unemployment, poor educational outcomes, residential segregation, poor English language skills, and political marginalization. These economic and political issues cannot be solved simply by celebrating cultural differences. Even with respect to the (legitimate) goal of promoting greater understanding of cultural differences, the focus on celebrating â€Å"authentic† cultural practices that are â€Å"unique† to each group is potentially dangerous. First, not all customs that may be traditionally practiced within a particular group are worthy of being celebrated, or even of being legally tolerated, such as forced marriage. To avoid stirring up controversy, there’s a tendency to choose as the focus of multicultural celebrations safely inoffensive practices — such as cuisine or music — that can be enjoyably consumed by members of the larger society. But this runs the opposite risk 2 For an overview of the attitudes of European social democratic parties to these issues, see Rene Cuperus, Karl Duffek, and Johannes Kandel, eds. , The Challenge of Diversity: European Social Democracy Facing Migration, Integration and Multiculturalism (Innsbruck: Studien Verlag, 2003). For references to â€Å"post-multiculturalism† by progressive intellectuals, who distinguish it from the radical right’s â€Å"antimulticulturalism,† see, regarding the United Kingdom, Yasmin Alibhai-Brown, After Multiculturalism (London: Foreign Policy Centre, 2000), and â€Å"Beyond Multiculturalism,† Canadian Diversity/Diversite Canadienne 3, no. 2 (2004): 51–4; regarding Australia, James Jupp, From White Australia to Woomera: The Story of Australian Immigration, 2nd edition (Cambridge: Cambridge University Press, 2007); and regarding the United States, Desmond King, The Liberty of Strangers: Making the American Nation (Oxford: Oxford University Press, 2004), and David A. Hollinger, Post-ethnic America: Beyond Multiculturalism, revised edition (New York: Basic Books, 2006). Alibhai-Brown, After Multiculturalism. 3 4 4 Multiculturalism: Success, Failure, and the Future MIGRATION POLICY INSTITUTE of the trivialization or Disneyfication of cultural differences,5 ignoring the real challenges that differences in cultural and religious values can raise. Third, the 3S model of multiculturalism can encourage a conception of groups as hermetically sealed and static, each reproducing its own distinct practices. Multiculturalism may be intended to encourage people to share their customs, but the assumption that each group has its own distinctive customs ignores processes of cultural adaptation, mixing, and melange, as well as emerging cultural commonalities, thereby potentially reinforcing perceptions of minorities as eternally â€Å"other. † This in turn can lead to the strengthening of prejudice and stereotyping, and more generally to the polarization of ethnic relations. Fourth, this model can end up reinforcing power inequalities and cultural restrictions within minority groups. In deciding which traditions are â€Å"authentic,† and how to interpret and display them, the state generally consults the traditional elites within the group — typically older males — while ignoring the way these traditional practices (and traditional elites) are often challenged by internal reformers, who have different views about how, say, a â€Å"good Muslim† should act. It can therefore imprison people in â€Å"cultural scripts† that they are not allowed to question or dispute. According to post-multiculturalists, the growing recognition of these flaws underlies the retreat from multiculturalism and signals the search for new models of citizenship that emphasize 1) political participation and economic opportunities over the symbolic politics of cultural recognition, 2) human rights and individual freedom over respect for cultural traditions, 3) the building of inclusive national identities over the recognition of ancestral cultural identities, and 4) cultural change and cultural mixing over the reification of static cultural differences. This narrative about the rise and fall of 3S multiculturalism will no doubt be familiar to many readers. In my view, however, it is inaccurate. Not only is it a caricature of the reality of multiculturalism as it has developed over the past 40 years in the Western democracies, but it is a distraction from the real issues that we need to face. The 3S model captures something important about natural human tendencies to simplify ethnic differences, and about the logic of global capitalism to sell cosmopolitan cultural products, but it does not capture the nature of post-1960s government MCPs, which have had more complex historical sources and political goals. B. Multiculturalism in Context It is important to put multiculturalism in its historical context. In one sense, it is as old as humanity — different cultures have always found ways of coexisting, and respect for diversity was a familiar feature of many historic empires, such as the Ottoman Empire. But the sort of multiculturalism that is said to have had a â€Å"rise and fall† is a more specific historic phenomenon, emerging first in the Western democracies in the late 1960s. This timing is important, for it helps us situate multiculturalism in relation to larger social transformations of the postwar era. More specifically, multiculturalism is part of a larger human-rights revolution involving ethnic and racial diversity. Prior to World War II, ethnocultural and religious diversity in the West was characterized by a range of illiberal and undemocratic relationships of hierarchy,6 justified by racialist ideologies that explicitly propounded the superiority of some peoples and cultures and their right to rule over others. These ideologies were widely accepted throughout the Western world and underpinned both domestic laws (e. g. , racially biased immigration and citizenship policies) and foreign policies (e. g. , in relation to overseas colonies). 5 6 Neil Bissoondath, Selling Illusions: The Cult of Multiculturalism in Canada (Toronto: Penguin, 1994). Including relations of conqueror and conquered, colonizer and colonized, master and slave, settler and indigenous, racialized and unmarked, normalized and deviant, orthodox and heretic, civilized and primitive, and ally and enemy. Multiculturalism: Success, Failure, and the Future 5 MIGRATION POLICY INSTITUTE After World War II, however, the world recoiled against Hitler’s fanatical and murderous use of such ideologies, and the United Nations decisively repudiated them in favor of a new ideology of the equality of races and peoples. And this new assumption of human equality generated a series of political movements designed to contest the lingering presence or enduring effects of older hierarchies. We can distinguish three â€Å"waves† of such movements: 1) the struggle for decolonization, concentrated in the period 1948–65; 2) the struggle against racial segregation and discrimination, initiated and exemplified by the AfricanAmerican civil-rights movement from 1955 to 1965; and 3) the struggle for multiculturalism and minority rights, which emerged in the late 1960s. Multiculturalism is part of a larger human-rights revolution involving ethnic and racial diversity. Each of these movements draws upon the human-rights revolution, and its foundational ideology of the equality of races and peoples, to challenge the legacies of earlier ethnic and racial hierarchies. Indeed, the human-rights revolution plays a double role here, not just as the inspiration for a struggle, but also as a constraint on the permissible goals and means of that struggle. Insofar as historically excluded or stigmatized groups struggle against earlier hierarchies in the name of equality, they too have to renounce their own traditions of exclusion or oppression in the treatment of, say, women, gays, people of mixed race, religious dissenters, and so on. Human rights, and liberal-democratic constitutionalism more generally, provide the overarching framework within which these struggles are debated and addressed. Each of these movements, therefore, can be seen as contributing to a process of democratic â€Å"citizenization† — that is, turning the earlier catalog of hierarchical relations into relationships of liberaldemocratic citizenship. This entails transforming both the vertical relationships between minorities and the state and the horizontal relationships among the members of different groups. In the past, it was often assumed that the only way to engage in this process of citizenization was to impose a single undifferentiated model of citizenship on all individuals. But the ideas and policies of multiculturalism that emerged from the 1960s start from the assumption that this complex history inevitably and appropriately generates group-differentiated ethnopolitical claims. The key to citizenization is not to suppress these differential claims but to filter them through and frame them within the language of human rights, civil liberties, and democratic accountability. And this is what multiculturalist movements have aimed to do. The precise character of the resulting multicultural reforms varies from group to group, as befits the distinctive history that each has faced. They all start from the antidiscrimination principle that underpinned the second wave but go beyond it to challenge other forms of exclusion or stigmatization. In most Western countries, explicit state-sponsored discrimination against ethnic, racial, or religious minorities had largely ceased by the 1960s and 1970s, under the influence of the second wave of humanrights struggles. Yet ethnic and racial hierarchies persist in many societies, whether measured in terms of economic inequalities, political underrepresentation, social stigmatization, or cultural invisibility. Various forms of multiculturalism have been developed to help overcome these lingering inequalities. The focus in this report is on multiculturalism as it pertains to (permanently settled) immigrant groups,7 7 There was briefly in some European countries a form of â€Å"multiculturalism† that was not aimed at the inclusion of permanent immigrants, but rather at ensuring that temporary migrants would return to their country of origin. For example, mothertongue education in Germany was not initially introduced â€Å"as a minority right but in order to enable guest worker children to reintegrate in their countries of origin† (Karen Schonwalder, â€Å"Germany: Integration Policy and Pluralism in a Self-Conscious Country of Immigration,† in The Multiculturalism Backlash: European Discourses, Policies and Practices, eds. Steven Vertovec and Susanne Wessendorf [London: Routledge, 2010], 160). Needless to say, this sort of â€Å"returnist† multiculturalism — premised on the idea that migrants are foreigners who should return to their real home — has nothing to do with multiculturalism policies (MCPs) premised on the idea that immigrants belong in their host countries, and which aim to make immigrants 6 Multiculturalism: Success, Failure, and the Future MIGRATION POLICY INSTITUTE but it is worth noting that struggles for multicultural citizenship have also emerged in relation to historic minorities and indigenous peoples. 8 C. The Evolution of Multiculturalism Policies The case of immigrant multiculturalism is just one aspect of a larger â€Å"ethnic revival† across the Western democracies,9 in which different types of minorities have struggled for new forms of multicultural citizenship that combine both antidiscrimination measures and positive forms of recognition and accommodation. Multicultural citizenship for immigrant groups clearly does not involve the same types of claims as for indigenous peoples or national minorities: immigrant groups do not typically seek land rights, territorial autonomy, or official language status. What then is the substance of multicultural citizenship in relation to immigrant groups? The Multiculturalism Policy Index is one attempt to measure the evolution of MCPs in a standardized format that enables comparative research. 10 The index takes the following eight policies as the most common or emblematic forms of immigrant MCPs:11 Constitutional, legislative, or parliamentary affirmation of multiculturalism, at the central and/ or regional and municipal levels The adoption of multiculturalism in school curricula The inclusion of ethnic representation/sensitivity in the mandate of public media or media licensing Exemptions from dress codes, either by statute or by court cases Allowing of dual citizenship The funding of ethnic group organizations to support cultural activities The funding of bilingual education or mother-tongue instruction Affirmative action for disadvantaged immigrant groups12 feel more at home where they are. The focus of this paper is on the latter type of multiculturalism, which is centrally concerned with constructing new relations of citizenship. 8 In relation to indigenous peoples, for example — such as the Maori in New Zealand, Aboriginal peoples in Canada and Australia, American Indians, the Sami in Scandinavia, and the Inuit of Greenland — new models of multicultural citizenship have emerged since the late 1960s that include policies such as land rights, self-government rights, recognition of customary laws, and guarantees of political consultation. And in relation to substate national groups — such as the Basques and Catalans in Spain, Flemish and Walloons in Belgium, Scots and Welsh in Britain, Quebecois in Canada, Germans in South Tyrol, Swedish in Finland — we see new models of multicultural citizenship that include policies such as federal or quasi-federal territorial autonomy; official language status, either in the region or nationally; and guarantees of representation in the central government or on constitutional courts. 9 Anthony Smith, The Ethnic Revival in the Modern World (Cambridge: Cambridge University Press, 1981). 10 Keith Banting and I developed this index, first published in Keith Banting and Will Kymlicka, eds. , Multiculturalism and the Welfare State: Recognition and Redistribution in Contemporary Democracies (Oxford: Oxford University Press, 2006). Many of the ideas discussed in this paper are the result of our collaboration. 11 As with all cross-national indices, there is a trade-off between standardization and sensitivity to local nuances. There is no universally accepted definition of multiculturalism policies and no hard and fast line that would sharply distinguish MCPs from closely related policy fields, such as antidis